Mary Mackey
After Carnival
how you loved it in the beginning
the flashing sequins the bare thighs and breasts
the drumming that you said made you feel
as if you were being passed from hand to hand
over a crowd of 72,000 people
who loved you more than your own mother
on Ash Wednesday everyone else stopped dancing
but you went on and on as if someone had glued
invisible red shoes to your feet
even when it started raining and your feathers drooped
like the plumage of a dying bird
even when your purple wig bled into your eyes
and the soles of your feet were bloody
with the stigmata of your martyrdom
you kept on chanting the name of Yansan
Candomblé goddess of wind and storms
merciless Yansan who rode you like a horse
and pulled on your legs and arms with invisible strings
the samba whispers terrible secrets!
you cried but you would not tell me what they were
how easy it is to give ourselves to the gods, o meu bem
how hard to take ourselves back
From Travelers With No Ticket Home, by Mary Mackey (Marsh Hawk Press, 2014). Front page author photo by Irene Young.
Mary Mackey’s brand new book of poetry is Travelers With No Ticket Home. Her previous books include six collections of poetry, including Breaking The Fever and Sugar Zone, and twelve novels. As reflected in the poems in her most recent collections, she has been traveling to Brazil with her husband, Angus Wright, who writes about environmental issues and land reform, for over twenty years. Garrison Keillor has featured her poetry on his show, The Writer’s Almanac, numerous times, and her work has been translated into Japanese, Hebrew, Greek, Russian, and Finnish. She is the recipient of the 2012 PEN Oakland-Josephine Miles Award. For more see www.marymackey.com)