Bert Meyers
Gently, Gently
We, too, began with joy.
Then, sickness came;
then, poverty.
We were poor, so poor,
our children were our only friends.
Gently, gently,
through anger and pain,
love justified itself,
like the nails in the house
during a storm.
Somehow, we created hope,
reliable drum
in the shadow's wrist;
a tuning fork
on the sidewalk of dreams.
At night, I was the one
who became a cello,
strung with all our roads,
where memory hums
to itself like a tire.
And you, mad as a clarinet
where the street divides;
a city of raindrops in a bush;
the slow honey that drips
from the sky's old ladle…
the reason I'm frightened of death.
I swear by the wings
love spreads at my waist,
that I'll carry your tune
until my tired strings break.
Pencil Sharpener
It has no arms or legs, this tiny nude; yet grip
it by the waist, then stir its hips: a dry leaf multiplies,
a cold motor starts in the wood.
Revived, still shivering, the pencil sheds itself—
and there's a butterfly, teeth, the fragments of a
crown.
Sunflowers
No one spoke to the sunflowers,
those antique microphones
in the vacant lot.
So, they hung their heads
and, slowly, fell apart.
To My Enemies
I'm still here, in a skin
thinner than a dybbuk's raincoat;
strange as the birds who scrounge,
those stubborn pumps
that bring up nothing…
Maddened by you
for whom the cash register,
with its clerical bells,
is a national church;
you, whose instant smile
cracks the earth at my feet…
May your wife go to paradise
with the garbage man,
your prick hang like a shoelace,
your balls become raisins,
hair grow on the whites of your eyes
and your eyelashes turn
into lawn mowers
that cut from nine to five…
Man is a skin disease
that covers the earth.
The stars are antibodies
approaching, your president
is a tsetse-fly…
The Gilder
The Shop, weakened by dust, was closing its eyes.
The saw stopped like an ambulance. A breeze made of
turpentine still hung around his hands.
Outside, the walls in the alley were gold leaf
fluttering on their frames; clouds, retired housepainters,
relaxed in the sky.
A little cello began to throb in his throat.
Suddenly, he saw the sun overturn like a truckload
of oranges at the end of a street—its light scatter and
roll through the windows on a hill.
What's that got to do with Wittgenstein, or how we
live? voices shouted in his head.
Nothing…nothing at all.
Poems from In a Dybbuk's Raincoat: Collected Poems, Bert Meyers, University of New Mexico Press, 2007; published by permission of the Estate of Bert Meyers.